When most people think of pesto, they think of a mixture made with basil, pine nuts, olive oil, Parmesan cheese, and garlic. This is all well and good, but we often forget that pesto just means "paste" in Italian, and that you can make delicious pesto that has none of these ingredients. Pine nuts are expensive, and you can absolutely toast walnuts in a dry pan and use them in a pesto, or put in kalamata olives, or even substitute Spanish Manchego instead of Parmesan. You can make a delicious pesto using mint, lemon juice, walnuts, olive oil, and toasted bread crumbs. The proportions are really just to taste, and you can use any shape pasta you want. Throw in a few (soaked) sundried tomatoes into a traditional pesto for added depth of flavor. This is truly frugal food, and it provides light sauces with intense flavors using seasonal ingredients.
In other news, a friend and I have been toying with the idea of an interdisciplinary conference on Lady Gaga. We've had some trouble getting it off the ground because we've both been incredibly busy, but I think we've found a reasonable alternative. In order to build support, or as a professor of mine says, to build "hermeneutic momentum" in the interest of eventually holding such a conference, I'm probably going to create an academic blog devoted to themes and scholarship related to Lady Gaga. The blog would be dealing especially with her place in pop culture, her theoretical implications, and her possible applications to other sociocultural spheres. I've been seeing this type of scholarship pop up all over the internet, which proves to me that there is a broad arena of support in multiple discourses for this type of work, and a clear suggestion that scholars want to be having this type of conversation. This article is an excellent example.
More and more, I've been seeing the traditional boundaries of academic departments break down and enter into fascinating conversations with other disciplines. This is one of the major reasons I appreciate the way Gaga has been proliferating. She has become a flashpoint in the intellectual landscape for gender theorists, Marxists, post-humanists, and many others. If thinking about her work brings us into a deeper conversation with each other, I believe we can use her work as a stepping stone to intersect matters of art and culture that are deeply relevant, pervasive, and important. I'll keep you all apprised of the process as I start to think about the blog's design and discussion format. Start preparing your submissions now, since we'll be opening the field up to multiple contributions!
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